Pesquisando por: "WENZEL HOLLAR" - Fotoarena - Agência de fotojornalismo

00525074 geography / travel, Great Britain, London, execution of Sir Thomas Wentworth, Earl of Strafford, Tower hill, 12.5.1641, contemporary etching by Wenzel Hollar,

alb3719453 Frankfort. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3705998 Rudesheim. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3737151 Cologne. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3683671 Sala Regalis cum Curia West-monasterÿ, vulgo Westminster haal (Westminster Hall). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 9/16 × 12 11/16 in. (14.2 × 32.3 cm)cut within platemark. Series/Portfolio: London viewsFour plates. Date: 1647.Westminster Hall; view of square to the North of Westminster Hall, with groups of people and coaches on the left and fountain on the right; Abbey seen over the roofs in the background. Museum: Metropolitan Museum of Art, New York, USA.

alb3675140 Inigo Jones. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 8 1/16 × 5 5/16 in. (20.5 × 13.5 cm)Sheet: 8 3/8 × 5 11/16 in. (21.3 × 14.4 cm). Date: 1655.Portrait of Inigo Jones, half-length, seated to front, with head turned to look to right; wearing a cap and broad collar over doublet, holding a sheet of paper in his right hand; in an oval frame; tablet below; from the engraving by Robert van Voerst, after Van Dyck; illustration to Inigo Jones's 'The most notable Antiquity of Great Britain vulgarly called Stone-heng on Salisbury. Museum: Metropolitan Museum of Art, New York, USA.

alb3608888 Dutch East Indiaman. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 9/16 × 9 5/16 in. (14.2 × 23.7 cm). Series/Portfolio: Dutch Ships. Date: 1647.Dutch East Indiaman; six men on a raft caulking the planks of hull of vessel in harbour, with carpenters at work on the deck; fully fitted-out ship careened in the water to right, with sailors on a raft treating the under-water timber among clouds of black smoke. Museum: Metropolitan Museum of Art, New York, USA.

alb4138129 Fireworks at Hemissem. Wenceslaus Hollar; Czech, 1607-1677. Date: 1627-1677. Dimensions: 249 × 414 mm. Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb3718402 Death's Coat of Arms. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3738481 Waggoner. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3697871 Bride. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3740339 Gamesters. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3725091 Advocate. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3682419 Durham House, Salisbury House and Worcester House on the Thames. Artist: After Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: sheet: 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm) cut outside the image and text but within the platemark.. Series/Portfolio: Londina Illustrata. Date: 1808.Copy after a drawing by Hollar. View from the River Thames, with Durham House on the left, Salisbury House in the centre and Worcester House on the right; reflections on the water and some small boats; the view as it was around 1630. Museum: Metropolitan Museum of Art, New York, USA. Author: after Wenceslaus Hollar.

alb3646959 Descent from the cross, after Holbein. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: 7 3/4 x 6 7/8 in. (19.7 x 17.5 cm). Date: 1640.Descent from the Cross; Joseph of Arimathea and the Virgin Mary kneeling, supporting the body of Christ, St John standing at right, together with three crying women, beside the cross and ladder; after Hans Holbein the Younger. Museum: Metropolitan Museum of Art, New York, USA.

alb3638384 Skull in profile to right. Artist: After Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise). Dimensions: Plate: 3 1/16 × 3 5/8 in. (7.8 × 9.2 cm)with narrow margins all around. Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1645.Skull in profile to right with five teeth in each jaw, its back resting on square block,after Leonardo da Vinci. Museum: Metropolitan Museum of Art, New York, USA.

akg253349 Prag - Praha (Tschechien). "PRAGA". (Panorama von Prag vom Hradschin bis Wischehrad, aufgenommen vom Lorenzberg). Kupferstich, 1636, von Wenzel Hollar. (1607-1677). Aus: M.Zeiller, Topographia Germaniae, Bd. 11, Topographia Bohemiae, Moraviae et Silesiae, Frankfurt (M.Merian) 1650.

alb4137748 Royal Exchange. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644. Dimensions: 293 × 392 mm (sheet; trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb9369731 Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort., Wenceslaus Hollar, artist, 1635, Germany, etching, Wenceslaus (or Wenzel) Hollar (1607-77) was an Anglo-Czech artist, and one of the greatest and most prolific printmakers of the 17th century. His art reveals his immensely wide subject range, and reflects the priorities of his time: religious prints, mythology, satire, landscapes, geography and maps, portraits, women, costumes, sports, natural history (including caterpillars, moths and snails), architecture, heraldry, numismatics, ornaments, title-pages and initials.

alb9384682 Amoenissimæ aliquot locorum ... Effigies. Plate 7. Zoll Schantz an der Straßburger Brucken., Wenceslaus Hollar, artist, 1635, Germany, etching, Wenceslaus (or Wenzel) Hollar (1607-77) was an Anglo-Czech artist, and one of the greatest and most prolific printmakers of the 17th century. His art reveals his immensely wide subject range, and reflects the priorities of his time: religious prints, mythology, satire, landscapes, geography and maps, portraits, women, costumes, sports, natural history (including caterpillars, moths and snails), architecture, heraldry, numismatics, ornaments, title-pages and initials.

alb9351087 Portrait of Frans van den Wyngarde, engraver and publisher, Wenceslaus Hollar, artist, 1651, Flanders, etching, Wenceslaus (or Wenzel) Hollar (1607-77) was an Anglo-Czech artist, and one of the greatest and most prolific printmakers of the 17th century. His art reveals his immensely wide subject range, and reflects the priorities of his time: religion, mythology, satire, landscapes, geography and maps, portraits, women, costumes, sports, natural history, architecture, heraldry, numismatics, ornaments, title-pages and initials.

alb4137769 A Moth, Butterflies, and Bees. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644-1652. Dimensions: 116 × 181 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4137798 Title Page from Diversae Insectorum. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644-1652. Dimensions: 116 × 181 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

akg1061653 nach: Elsheimer, Adam. 1578-1610. "Das Reich der Venus". Radierung von Wenzel Hollar (1607-1677). nach Gemälde von Elsheimer. Bl. 9,2 × 14,9 cm. Inv. 20713. Frankfurt a. M., Städelsches Kunstinstit. Museum: Frankfurt am Main, Städelsches Kunstinstitut.

akg185545 Stuart, Frances; Countess of Portland, 1617-94(?), (mistakenly described as: Maria Stuart ...). "MARIA STUART COMITISSA PORTLANDIAE NEYLADNIAE etc.". Copper engraving by Wenzel Hollar (1607-1677) after a painting by Anthonis van Dyck (1599-1641).

alb4138337 Dead Hare. Wenceslaus Hollar (Czech, 1607-1677); after Pieter Boel (Flemish, 1622-1674). Date: 1649. Dimensions: 269 × 191 mm (sheet, trimmed within platemark). Etching in black on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb3717623 Lady Catherine Howard. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3638205 Winter. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London); After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593-1641 Enkhuizen). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3635431 Title Page, Diversae Effigies. Artist: After Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise). Dimensions: Plate: 3 3/16 × 2 3/16 in. (8.1 × 5.5 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1648.Title-page to 'Diverse Effigies' by Hollar, with portrait of an elderly man in profile to right, bald, except for curly locks at the back and some on the top of his head. Museum: Metropolitan Museum of Art, New York, USA.

alb3670958 Dragonflies and a bumble bee. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 3 3/16 × 4 5/8 in. (8.1 × 11.8 cm)Sheet: 3 11/16 × 5 1/8 in. (9.3 × 13 cm). Series/Portfolio: Butterflies and Insects, Muscarum scarabeorum, Twelve plates. Date: 1646.Bumble bee in upper left corner, dragonfly in profile to right in lower right corner; between them, two dragonflies with wings outspread and small moth seen in profile. Museum: Metropolitan Museum of Art, New York, USA.

alb3679232 Ornate goblet. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 7 11/16 × 5 5/16 in. (19.5 × 13.5 cm). Date: 1642.View of an ornate goblet, with heads of bearded men on the stem, supported on animal's legs and ornate base; embracing naked couple on the finial of the lid, four naked women in an oval below; after Hans Holbein. Museum: Metropolitan Museum of Art, New York, USA.

alb3677288 Bows, quivers and a spear. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 5 1/2 × 7 5/8 in. (14 × 19.4 cm)Sheet: 5 5/8 × 7 11/16 in. (14.3 × 19.5 cm). Date: 1625-77.Bows, quivers and a spear. Museum: Metropolitan Museum of Art, New York, USA.

alb3735032 Shell (Vasum ceramicum). Dated: c. 1645. Dimensions: plate: 0.9 x 14.2 cm (3/8 x 5 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3628464 Charles II. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 7/8 × 7 1/8 in. (25.1 × 18.1 cm)cut within platemark. Sitter: Charles, Prince of Wales (London 1630-1685 London). Date: 1649.Portrait of Charles II as a boy, three-quarter length, standing, wearing collar, coat and sword, leaning on baton and holding hat; curtain in background to right, and view of the banqueting hall in Whitehall, trees and figures in distance to left; after Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3608172 Warship and a spouting whale. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 4 15/16 × 10 11/16 in. (12.5 × 27.1 cm). Date: 1665.Warships and a spouting whale; warship scudding to left, with seamen clewing up the main topsail and spritsail, in rough sea under stormy sky; six ships on left and right and whale in the foreground swimming to right; first state. Museum: Metropolitan Museum of Art, New York, USA.

alb3606406 Lucas and Cornelius van Wael. Artist: After Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: Plate: 11 3/4 × 9 in. (29.9 × 22.8 cm)Sheet: 12 1/16 × 9 5/16 in. (30.7 × 23.6 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Date: 1646.Double portrait of painters Lucas and Cornelis de Wael, Lucas on a chair with short hair, moustache and goatee, wearing a doublet, lace collar and cloak; his brother Cornelis stands behind, with a buttoned doublet, coat short hair and mustache. after Anthony van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3651816 Sir Anthony van Dyck with a sunflower. Artist: After Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: Sheet: 5 5/16 × 4 3/8 in. (13.5 × 11.1 cm)cut within platemark. Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1644.Portrait of Sir Anthony van Dyck, head and shoulders in profile to right, with head turned to front; left hand holding chain passing over his right shoulder, right hand pointing to large sunflower on right; after Van Dyck's self-portrait c. 1633, the best version of which is in the collectiuon of the Duke of Westminster. Museum: Metropolitan Museum of Art, New York, USA.

alb3668534 Woman with circular lace ruff. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 4 × 3 3/4 in. (10.2 × 9.6 cm)Sheet: 4 1/4 x 3 13/16 in. (10.8 x 9.7 cm). Series/Portfolio: Women's heads framed in roundelsThirteen plates. Date: 1644.Woman shown bust length within a roundel, her hair pulled back and covered by a net, wearing a round ruff and fur stole over a laced bodice. Museum: Metropolitan Museum of Art, New York, USA.

alb3678181 Woman with large circular fur hat and earrings. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 4 × 3 3/4 in. (10.2 × 9.6 cm). Series/Portfolio: Women's heads framed in roundelsThirteen plates. Date: 1645.A woman shown bust-length, directed left; wearing a fur cap, earrings, shoulder wrap with double lace border, fastened with brooch, over brocaded gown, with a chain showing beneath the wrap. Museum: Metropolitan Museum of Art, New York, USA.

alb3736064 Woman of Antwerp. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3618158 William Dugdale. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 10 1/16 × 6 9/16 in. (25.5 × 16.7 cm). Sitter: Sir William Dugdale (British, 1605-1686). Date: 1625-77.Portrait of William Dugdale; half length, almost full face; siting at a table in a coat with fur cuffs and a small white collar; wearing a broad-brimmed hat; his right hand holds a rolled MS on the table; to the left a copy of 'Monasticon Anglicanum' and 'The Antiquities of Warwicksh: illustrated', and an ink well with pen and knife; behind shelves with documents and seals; arms and his crest, a griffin head with wings, in upper corners; frontispiece to Dugdale's 'The Antiquities of Warwickshire Illustrated'. Museum: Metropolitan Museum of Art, New York, USA.

alb3661160 Mary Villiers, Dutchess of Lennox and Richmond. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 7/16 × 7 1/4 in. (24 × 18.4 cm). Series/Portfolio: Icones Principum Virorum. Date: 1625-77.Portrait of Mary Villiers, Duchess of Lennox and Richmond, half-length against a landscape in the background, turned to the left, but looking towards the viewer, wearing a dress and scarf, pearl necklace, and earrings and jewelry around the waist and upper left arm, holding a rose in her right hand at the level of her chest and two roses with the left on her lap. after Van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3652210 Five Butterflies. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 3 1/8 × 4 5/8 in. (8 × 11.8 cm)Sheet: 3 5/8 × 5 1/8 in. (9.2 × 13 cm). Series/Portfolio: Butterflies and Insects, Muscarum scarabeorum, Twelve plates. Date: 1646.Swallow-tailed butterfly with open wings above on right, next to small butterfly in profile to left; two small butterflies with open wings and butterfly with closed wings looking left on right below. Museum: Metropolitan Museum of Art, New York, USA.

alb3650258 The Horseman. Artist: After Jan Wildens (Flemish, 1586-1653). Dimensions: Sheet: 5 1/2 × 8 1/2 in. (14 × 21.6 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Series/Portfolio: Landscapes 6 plates. Date: 1650.A horseman galloping to right along a country road; chapel flanked by farm houses on the bank of a river or lake at left; church, houses, windmills and spires seen on the wooded bank in background. Museum: Metropolitan Museum of Art, New York, USA.

alb3726654 Duren. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3746781 Autumn: The Wine Market. Dated: c. 1628/1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb4141148 Copy, Vessels in a Gale, Galleons in Agitated Sea. Possibly after Wenceslaus Hollar; Czech, 1607-1677. Date: 1627-1677. Dimensions: 98 × 149 mm. Pen and black ink and brush and gray wash, on ivory laid paper, laid down on card. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb3711928 Prospect of Oxford. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after D. Gage.

alb3735886 Sir John Wildman. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3607781 Coronation Procession of Charles II. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1662. Museum: Metropolitan Museum of Art, New York, USA. Author: Wenceslaus Hollar.

alb4551635 Choir of the Cathedral of St. The interior prospect Paul, Choir of Old St Paul's Cathedral in London, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XLIII, at p. 108, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4399057 Cathedral of St. Paul from East prospect, Old St Paul's Cathedral in London, signed: After Hollar; Engraved by W. Byrne; Published by Lackington & Co. and Longman & Co., Pl. XL, at p. 108, Hollar, Wenzel (drawing); Byrne, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4397234 The tomb of John, was it from the Chishull, in front of the wall of the north chapel of the Choir in the, Tomb of John de Chishull, signed: After Hollar, Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXIII, at p. 66, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4383471 Cathedral of St. Paul eastern make, Old St Paul's Cathedral in London, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXXIX, after p. 108, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4386687 The tomb of the son of Simon Burley, the soldiers, in the north of the wall, on the contrary, the Supreme Tumuli near the altar of John of Lancaster, Duke of Ghent, Grave of Simon Burley, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXV, after p. 68, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4542910 Alexander Noelli Church Paula Dean Memorial ..., Tomb of Alexander Nowell, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co, Pl. XXIX, p. 72, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4544756 Closure of the concerns of St. Eorcenwald under the same barrow, Grave of Erkenwald, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co., Pl. XXX, p. 74, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4546679 The Daunce of Machabree, Mural (Death Dance) in Old St Paul's Cathedral, Hollar, Wenceslas (Fec); Find, W. (engraving), Pl., LXII, p. 420, Hollar, Wenzel (drawing); Finden, W. (engraving), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb4400383 Tumulus Johannis Wolly Eq. Aur. In Capella St. Georgy, Grave of Sir John Wolley, signed: After Hollar; Engraved by W. Find; Published by Lackington & Co. and Longman & Co, Pl. XXVII, after p. 70, Hollar, Wenzel (drawing); Finden, W. (engraving); Lackington & Co (publ.); Longman & Co. (publ.), William Dugdale, Henry Ellis: The history of Saint Paul's Cathedral in London, from its foundation: extracted out of original charters, records, leiger-books, and other manuscripts. London: printed for Lackington, Hughes, Harding, Mavor, and Jones; and Longman, Hurst, Rees, Orme, and Brown, 1818.

alb3719264 Civis Londinensis Filia. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3682126 Aestas - Summer (Three-quarter-length seasons). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 1/2 × 10 11/16 in. (24.2 × 27.2 cm)cut outside image but within platemark. Series/Portfolio: Three-quarter-length seasons. Date: 1641.Three-quarter length figure of a woman standing next to a table. He face is veiled, she holds a fan in her right hand and rests the other on a pair of gloves lying on the table. Curtains behind looped over a parapet. Museum: Metropolitan Museum of Art, New York, USA.

alb3682718 Hyems - Winter (Three-quarter-length seasons). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 3/4 × 6 15/16 in. (24.7 × 17.6 cm)cut outside image but within platemark. Series/Portfolio: Three-quarter-length seasons. Date: 1641. Museum: Metropolitan Museum of Art, New York, USA.

alb3661521 Arundel House from the South. Artist: After Adam Alexius Bierling (Netherlandish, 1625-1675). Dimensions: Sheet: 3 1/8 × 7 1/2 in. (7.9 × 19 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: One of two plates of Views of Arundel House, New Hollstein 862-863.. Date: 1646.Arundel House viewed from the South; men wearing hats and cloaks walking around the courtyard looking North, with coach and two horses standing outside house on left, part of the stables on right. These are the out-buildings of Arundel's town house. Museum: Metropolitan Museum of Art, New York, USA.

akg1061656 nach: Elsheimer, Adam. 1578-1610. "Das Reich der Minerva". Radierung von Wenzel Hollar (1607-1677). nach Gemälde von Elsheimer. Bl. 9,2 × 14,8 cm. Inv. 20712. Frankfurt a. M., Städelsches Kunstinstit. Museum: Frankfurt am Main, Städelsches Kunstinstitut.

alb3680789 Arundel House from the North, copy. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 17th century (?). Museum: Metropolitan Museum of Art, New York, USA.

alb3619427 Richard Weston, Earl of Portland. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 9 1/2 × 7 9/16 in. (24.2 × 19.2 cm)Sheet: 12 7/8 × 9 7/8 in. (32.7 × 25.1 cm). Series/Portfolio: Icones Principum Virorum. Date: 1645.Portrait of Richard Weston, first Earl of Portland, half length, frontal, the head turned to the left, with moustache and beard, wearing ruff, ribbon with medal, coat, and cloak over right shoulder, his left hand resting on ledge in front. after van Dyck. Museum: Metropolitan Museum of Art, New York, USA.

alb3628153 Windsor. Artist: After Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 7/8 × 6 1/2 in. (9.8 × 16.5 cm). Series/Portfolio: Twelve plates by Abraham Aubricopies of 'Amoenissimi Alliquot...'. Date: after 1644. Museum: Metropolitan Museum of Art, New York, USA.

alb3665988 The true maner [manner] of the execution of Thomas Earle of Strafford. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 7 5/16 × 10 3/8 in. (18.6 × 26.4 cm)Sheet: 8 3/4 × 10 1/2 in. (22.2 × 26.7 cm). Date: 1641.Execution of Thomas Wentworth, Earl of Strafford; crowds of spectators standing in wooden stands, one of them collapsing, or on the ground around a raised platform in the middle with the executioner holding an axe, Strafford, his kindred and friends, Bishop Usher and Sherriffs; the Tower of London in the background. Museum: Metropolitan Museum of Art, New York, USA.

alb3651505 Pietro Aretino. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 15/16 × 7 3/16 in. (25.3 × 18.2 cm). Series/Portfolio: Italian portraits. Date: 1649.Portrait of Pietro Aretino, bust-length, seated behind a parapet in three-quarter profile to right, supporting his chin with left hand in a contemplating pose; young laurel plant next to tree stump at right; after Titian. Museum: Metropolitan Museum of Art, New York, USA.

alb3726759 Hans Holbein the Younger. Dated: 1647. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger.

alb3724455 Augsburg. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3667012 A view of Lambeth Palace from the river at Whitehall Stairs. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 3 5/8 × 6 3/4 in. (9.2 × 17.1 cm)trimmed on platemark. Series/Portfolio: Amoenissimi aliquot locorum... Prospectus. Date: 1625-77.London Thames view, looking upriver towards Lambeth Palace (the London residence of the Archbishop of Canterbury) from Whitehall Stairs. Lambeth is seen in distance at left, on the south bank of the river. In the foreground are gabled buildings, with a range extending closer to the river, and then a short building on piers over the water. In front of this, a wooden walkway ends in a dock and a cluster of ferry boats. Museum: Metropolitan Museum of Art, New York, USA.

alb3716861 Paradise Lost. Dated: 1651. Medium: etching with border "Time and Eternity" (Pennington 233C). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3730567 Cardinal. Dated: 1651. Medium: etching with border "Minerva and Hercules" (Pennington 233B). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3742314 Abbot. Dated: 1651. Medium: etching with border "Minerva and Hercules" (Pennington 233B). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3608793 Cardinal, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 2 15/16 × 2 1/16 in. (7.4 × 5.3 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.The Cardinal; Death removes the hat from a cardinal seated on the right, who is handing to a man on the left a document with five seals. Museum: Metropolitan Museum of Art, New York, USA.

alb3654807 The Monk, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 in. × 2 3/16 in. (7.6 × 5.5 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.A monk, carrying a collection box and accompanied by a dog, is seizedfrom behind by Death. Museum: Metropolitan Museum of Art, New York, USA.

alb3664981 Bride, from the Dance of Death. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 1/16 × 2 5/16 in. (7.7 × 5.8 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Dance of Death, after Holbein. Date: 1651.The bride's mother on the right hands the young woman a robe and chain, while Death fastens a collar of bones around her neck. Museum: Metropolitan Museum of Art, New York, USA.

alb4138798 The Monk and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 52 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139424 Adam Ploughing. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 71 × 51 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139403 The Abbott and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4141677 The Preacher and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4141759 The Count and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 54 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4141412 The Bride and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4141170 The Bishop and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 71 × 54 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb3675335 Print of Designs for a Pommel, Quillons, and Locket. Culture: British. Designer: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: 6 1/8 x 4 1/2 in. (15.5 x 11.4 cm). Engraver: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1645. Museum: Metropolitan Museum of Art, New York, USA.

alb3746891 Nobilis Mulier Brabantica. Dated: 1649. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3745229 Mulier Generosa Brabantica. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3745745 Henry Colthurst. Dated: 1644. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3747426 Mulier Generosa Gallica. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3745809 Mercatoris Hollandici Vxor. Dated: 1644. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb3746659 Near Prague. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

alb4139121 Zürich Woman in Wedding Dress. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 91 × 57 mm (sheet, trimmed to or within plate mark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139373 Young Zurich Woman. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 92 × 57 mm (sheet, trimmed within plate mark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139399 French Noblewoman. Wenceslaus Hollar; Czech, 1607-1677. Date: 1643. Dimensions: 94 × 60 mm (plate); 129 × 90 mm (sheet). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139360 Swallow-Tailed Butterfly and Twelve Other Insects. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644-1652. Dimensions: 116 × 179 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4138807 A Dragonfly, Ladybirds, and Butterflies. Wenceslaus Hollar; Czech, 1607-1677. Date: 1646-1677. Dimensions: 111 × 206 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139208 Two Dragonflies and Five Butterflies. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644-1652. Dimensions: 115 × 182 mm (sheet, trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139277 Peasant Woman from Bohemia. Wenceslaus Hollar; Czech, 1607-1677. Date: 1643. Dimensions: 91 × 58 mm (sheet, trimmed just outside plate mark at upper left and within plate mark elsewhere). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb4139766 Burgher's Wife of Zurich. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 94 × 56 mm (sheet, trimmed within plate mark at sides and bottom). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.